The HP Research Awards series showcases the work of recipients of the Willem de Kooning Research Award. Established by the Willem de Kooning Foundation, the awards are granted to outstanding graduation projects that provide new insights to broader audiences through their research. The series consists of a printed version and an electronic one for each publication. While the former explores the possibilities of print, the latter is a single standalone HTML file that can be easily saved, shared and archived.




SHE KNOWS HOW SHE MIGHT BEHAVE

by Tracy Hanna, 2018

The effect cars have on our subconscious can't be measured easily. It can be suggested through poetry in ways. We weave together a society that fails, constantly. Our awareness and disassociation. This association has led us to lead more complicated mesh in our time. In bold, old and gold ways we learn how to be a bit better. We live with each other. Sometimes we don't like each other. Sometimes we do. And cars have a lasting effect on our economy so we respect them.

To check out the electronic companion of this publication please visit: at.wdka.sheknowshowshemightbehave.nl/

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Supertoys Supertoys

by Merle Flügge, 2018

This is a book that is not a book. It is just an object trying to escape a world full of objects, maybe becoming alive in a world full of life. It is a learning book.  Not an educational one, not for you to learn anything from it, but to learn itself. Nobody knows why it wants to learn,  but why should we?  It didn’t ask us to be published either. We put my name on it and you can squeeze it, not functional at all. Actually it wanted to be a website, it didn’t succeed …yet.

To check out the electronic companion of this publication please visit: at.wdka.nl/supertoyssupertoys

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Blindly Organised

by Sophie Helene Dirven, 2018

How can the knowledge developed by blind and visually impaired people be applied to a broader public? As a social (open) lifestyler, I make extensive use of the users as designers method. This means that my focus is always on the users of a product. Involving users in the design process allows for an optimally functioning final result that perfectly addresses the needs of the target group. Blind people can help other people find structure and focus in the chaos of contemporary society. We can all learn something from Julia, a visually impaired 80-year old woman who has developed her own system of organisation? Julia organises the contents of her handbag using various smaller bags of different colours, shapes and textures. With this research, I hope to encourage and inspire other designers to apply the knowledge and the systems developed by blind and visually impaired people, and to make these available to others.

To check out the electronic companion of this publication please visit: blindlyorganised.wdka.nl

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Recrafting Craft

by Mascha van Zijverden, 2018

This publication is the sequel to the research Recrafting Craft, a Synergy of Crafts within Fashion Design Education at Art Schools in the Netherlands (2016), which analysed the gap between the current fashion industry and higher education in the field of fashion. In addition to that study, a series of speculative scenarios for tomorrow’s fashion education were developed, which are an invitation to reflect upon the implementation of new digital crafts in fashion workshops and in the related curricula. These rudimentary scenarios provide a foundation for developing alternatives outside of art schools in order to bring about real sustainable innovation within today’s fashion education.

To check out the electronic companion of this publication please visit: recraftingcraft.wdka.nl

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Crangon Crangon

by Jade Ruijzenaars, 2017

Most of the shrimp consumed in the Netherlands is caught in the North Sea, transported to Morocco for peeling, and then shipped back again to Europe. A shrimp consists for 60% to 70% of its shell, which is not suitable for consumption. The opening of a large mechanised peeling centre in the Netherlands has led to increased visibility of the problem of waste. This production system and resulting waste are invisible to consumers. Jade Ruijzenaars explored this issue, and experimented with a new application for shrimp shells in ceramic glazing in order to tell the story of this industry.

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Living Light

by Ermi van Oers, 2017

Climate change and the increasing scarcity of raw materials have led to an urgent need for finding alternative systems that redefine our relationship with nature. Biodesign is an emergent field that may offer innovative solutions in this regard. Living Energy is an initiative that envisions a world in which plants take part in our energy system. One of its first projects, Living Light, is a lamp that harvests energy through photosynthesis. It is a cross-pollination of nature, science and design. Living Light shows the beautiful and poetic side of ‘living energy’ and forges new connections between humans, nature and technology.

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Meat Market

by Daisy Thijssen, 2017

Meat Market aims to raise awareness of meat that was not obtained from conventionally slaughtered animals. By turning animals into unrecognisable products, we strip away the layer of cultured nostalgia we project on them. At the same time, we go on wasting meat from healthy and consumable animals because we deem it socially unacceptable. Meat Market addresses the following questions: ‘Why does an average Dutch dinner have to contain meat?’, ‘Where does this desire for meat and its overconsumption come from?’, and ‘Why do we eagerly consume pigs and cows, but balk at the idea of consuming veal or horse?’

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Form Follows Organism

by Emma van der Leest, 2016

Biodesign is based on the principles of biofabrication, an emerging field of regenerative medicine technologies. Biodesign incorporates living organisms (e.g. bacteria, fungi, algae or cells) in the design process. By discovering materials and processes that nature has designed but hasn’t patented, we can search for new grown materials that are completely compostable and that minimise the usage of hazardous resources which can cause damage to our ecosystem. ‘Form Follows Organism’ is about the application of design knowledge to consumer products and design methodologies. The research questions investigated are: ‘how can we control the process of growing materials or products?’ and: ‘how can we design new tools and algorithms that unlock the power of living cells?’

Download the ePub of this publication here: publicationstation.wdka.hro.nl/FormFollowsOrganism_Leest.epub

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Return to Sender

by Lou Muuse, 2015

Lou Muuse began Retour Afzender as a photojournalist project. Registering as a volunteer worker for Dutch asylum centers, she was able to enter a parallel universe that is normally hidden to the public, even to news media. She ended up not simply taking pictures, but researching the system of Dutch asylum procedures, documenting its single steps through images and text on a website. The conclusion was simple: that these procedures serve the purpose of getting refugees out of the country again. With the escalation of the so-called "refugee crisis" in 2015/16, with mostly Syrian war refugees fleeing to European Union countries, Lou Muuse's research gained an urgency that she herself might not have anticipated. It is a form of research where visuals are neither simply illustrations nor visualizations of textual data, but where photographic images are the medium of critical investigation.

To check out the electronic companion of this publication please visit: retourafzender.eu

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Command+S This Publication

by Silvio Lorusso and Niels Vrijdag

This text describes the process of developing a series of three publications that are part of the HP Research Awards series. Here, we discuss our editorial strategy, focusing on the design and technical choices that oriented the creation of the whole series and the single publications.

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Hybrid Publishing

The Hybrid Publishing was founded by the Willem de Kooning Academy as a means of profiling and disseminating outstanding research conducted by students and teaching staff on their own or in collaboration with external partners. Experimenting with a diverse range different processes native to digital and analog media, Hybrid Publishing fosters novel approaches to design, writing, reading, and dissemination, and embraces the pluriformity of publishing made possible through the legacies of Gutenberg’s press to present-day technologies. For more information about Hybrid Publishing please visit hybridpublishing.wdka.nl or contact Kimmy Spreeuwenberg via wdka.hybridpublishing@hr.nl.